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Using Elastic Audio in ProTools 7.4

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In this tutorial, Jeff Dykhouse demonstrates how to use the power of ProTools 7.4's - Elastic Audio. Elastic Audio allows you to easily change the tempo and timing of your sound files without cutting up your tracks. Here Jeff uses Elastic Audio to fix an "out-of-time" guitar track.  This kind of fix would have taken longer using the old Beat Detective or manual cut and nudge methods.  Elastic Time makes it really easy. This tutorial is taken from the upcoming ProTools 7.4 tutorial. For this and many other tutorials visit us at www.HowAudio.com.

Channel: Howto & Style
Uploaded: December 31, 1969 at 6:59 pm
Author: HowAudioTV

Length: 07:33
Rating: 4.74
Views: 37921

Tags: Audio  dykhouse  Elastic  Music  pro  ProTools  shift  time  tools  

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Video Comments

dellamancia (December 31, 1969 at 6:59 pm)
Hi,I am working in films and sometime need to replace a dialog that has been recorded on set with another one that has been recorded in the studio ( they are saying the same thing just the one on set might have some noise or the delivery is not great) so there will be some slight variation in the timing. Will Elastic Audio be a good instrument to replace the dialogs?
rey777777 (December 31, 1969 at 6:59 pm)
My Elastic Audio botton doesn't open. Why is that? Help me pls. - I have ProTools LE 7.4.2, iMac (Leopard)
Az00ra (December 31, 1969 at 6:59 pm)
Cheers man. Very helpful tutorial.
Etcher (December 31, 1969 at 6:59 pm)
Interesing idea, never thought of that approach
jrod9900 (December 31, 1969 at 6:59 pm)
I had the same problem. That's a good idea.
mfjproductions (December 31, 1969 at 6:59 pm)
So can you use this same tutorial if you have accappella vocals and you want to add a new instrumental under the vocals to create a remix?
HowAudioTV (December 31, 1969 at 6:59 pm)
Yeah, he should have played it perfectly because that would make for a more interesting tutorial on how the feature works . . . .
remoman (December 31, 1969 at 6:59 pm)
or... the guitarist should practice a bit more and pay his dues before coming to the recording session.
remoman (December 31, 1969 at 6:59 pm)
if you are recording heavily distorted guitars also record a dry DI from the guitar at the same time. This way you will be able to see all the transients and you can group the DI and the distorted track and use the DI track as an edit guide for the ditsto track.
adammakarita (December 31, 1969 at 6:59 pm)
pretty sure that monophinic/polyphonic algorithm has nothing to do with weather theres chords or not

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